I’m happy to have introduced a great group of 11 to some of Eugene (OR), beautiful murals. Eugene has scores of outdoor images and they are best enjoyed while walking. Most are part of the 20x21EUG Mural Project, an initiative by the city to create 20 or more world-class outdoor murals between now and the 2021 IAAF World (track) Championships. Our walk of the downtown area visited building-sized masterpieces and a number of hidden micro-art images. We walked just over 2 miles and a great lunch afterward.
Trip Report – Leader: Mark Hougardy; Group: Obsidians; Dates: March 3, 2019; Participants: 11; Type: Urban Walking
Dan Witz is a master of trompe l’oeil (‘trick of the eye’), the visual style of painting that looks three dimensional.
In the summer of 2017, he visited Eugene, Oregon, and placed 11 (according to the city) of his works around town. While Eugene celebrates many building-sized murals, Dan’s artwork is on a smaller scale. Locating them requires some leg-work as they are not published on a map. Also, you might have to revisit places that you at first would overlook. Most of his works are downtown between 7th & 11th Avenues and Olive & Willamette Streets – I listed some hints below – their charm is in discovering them. Several pieces are outside the downtown grid and for these, I’ve provided more specific information on where to find them. Several were removed (stolen), these are mentioned as well.
While researching Dan’s work I learned that he called such works “WTF” images. The idea is that a casual bystander on the street or someone passing in their car might briefly spy one his works, and ask the question, “What the f$@k was that?”
His artwork is creative, surprising, and sometimes disturbing. You will be asking questions about his work long after you spy them.
#9 REMOVED: This was located near 6th & Pearl along the stairwell of the Lane County Parking structure.
#10 REMOVED: This very small piece was located on the corner of Oak & Broadway. Look for the crossing light box in front of D.A. Davidson & Company. You will see an outline of where the piece had been affixed to the box. It is just below his tag: a gray smudge (a tell-tale sign, but it is incongruous with the clean surroundings and one’s eye will at first overlook it).
Blek le Rat is a street artist whose work appears in many cities, including Eugene, Oregon. Finding his work can be part of a great day outing.
In 2017 Blek le Rat visited Eugene, Oregon, as part of the 20×21 Mural project. He placed 10 works around town. Most are located in a grid in the downtown area between 7th & 11th Avenues and Oak and Olive Streets. Several images are outside this grid area and those locations are mentioned in the captions. One piece was painted over in the summer of 2018, an image of it is included below.
Blek le Rat got his start as a graffiti artist in the 1970s in Paris. Eventually, he used stencils to differentiate his street writing from others. Today, he is considered the godfather of stencil street art and is credited with influencing many others, including Banksy. Accompanying his work is often the image of a black rat. Blek once mentioned (paraphrasing) that rats are the only wild creatures in an urban setting, their numbers are vast compared to the human population, and they also carry subversive plague like how graffiti affects a city.
San Francisco is a city born within a moment — the discovery of gold in 1848. The city’s parents were not elites or idealist, but gritty prospectors, sailors, railroad workers, gamblers, ladies of the night, grifters, poets, and carney hustlers. Today, San Francisco is often viewed as a place where a person can discover one’s fortune, where an individual can craft their future, and where it’s OK to be weird. But, beneath the sidewalks, in unimpressive alleys, and among lonely buildings is a hidden San Francisco, a city that was forged in fear, sex, and gold.
Leader: Mark Hougardy | Organization: Obsidians | Date: November 2018 | Duration: 4 days | Participants: 8 | Type: walking and urban exploration
Our interpretive walking trip explored how fear, sex, and gold changed the city in three important ways. We saw how fear directed at those considered “unfit” by society (poor, minorities, and women) reveals they are the true backbone of the city, then how censorship of sex led to modern freedoms, and finally how gold fever changed forms never really disappeared.
Our group traveled by air from Oregon on Thanksgiving Day to San Francisco. Many of us overnighted at the Fort Mason Hostel and dined at a waterfront restaurant. The next day we traveled by trolley to Union Square and enjoyed the Christmas decorations before starting our 5-mile walk. We explored the sordid history of Maiden Lane, the colorful streets of Chinatown, and the historically depraved area known as the Barbary Coast. Our route followed much of the original shoreline, which is now half a mile inland. We visited City Lights Books and places where the counter-culture Beats hung out. We climbed the steep steps of Telegraph Hill to see the murals of the historic Coit Tower. Our walk took us along garden-lined staircases and alleys. The next day we traveled to the lonely island of Alcatraz to learn more about its prison then enjoyed an afternoon exploring the city. That evening the group enjoyed a salty performance of Beach Blanket Babylon. On the final full day, several members walked ten-miles from the Marina District over the Golden Gate Bridge to Sausalito and returned by ferry. The group walked ~20 miles in total. The group returned by plane to Oregon. Photos by Mark Hougardy & Meg Stewart Smith.
Recently, I was asked to share ideas with a tour director who was new to leading natural history walks. Here are some simple tips:
When introducing folks to a natural area I like to include in my welcome, “Are there things on this walk that you’d like to know more about?” People almost always want to know about poison ivy/oak and if they will be encountering any. Answering this takes some of the uncertainty people might have about an area off the table and helps them better enjoy the walk.
You’re not there to be an encyclopedia.
Do know the “big idea” of your walk. A big idea is what you want them to take when they leave.
If you know of any good stories about the area, place names, or local colorful characters, share them.
Think of things where people can engage their senses: look, listen, and feel.
When you visit a neat spot (beaver pond, an interesting grove of trees, etc), ask, “What do you think you know about this?” Get them to respond and share information. Everything has a story; people of first nations or settlers could have used even an unassuming plant as an important resource.
If there is an area where people can be comfortable have them sit in silence for several minutes (3 is ok). Afterward, ask them what did they see, hear, smell, and feel.
Point our any temperature shifts, like when you enter a shaded or lighted area.
Compare the feel of different tree barks. Why might they be different?
People tend to look at big things, have them find a small area and just observe for a few minutes. Ask them what they saw. A lot is happening on a small scale and it is just as important as the big things.
You need to know where north is for this. Well into your walk ask them to point to the north. The results are often surprising and entertaining even when the sun is out. Bring a compass and have a young person confirm the direction.
At the end of the walk ask people to share what they saw, heard, and smelled, etc.
Leader: Mark Hougardy | Organization: Obsidians | Dates: January 2018 | Participants: 7 | Type: Urban Walking Tour
In 1978 a low-budget movie about a misfit fraternity who challenged authority was released. The movie “Animal House” prominently featured locations around the University of Oregon. Much to the chagrin of university officials, the movie brought unwelcome attention to the UO; to others, it is one of the greatest comedy films of all time. Forty years later, this small group of Animal House fans visited fifteen sites around campus featured in the movie. We enjoyed a pleasant walk in the light rain. Some areas on campus were similar while other locations, like a refurbished room 110 Fenton Hall where the courtroom scene was filmed, are unrecognizable. We ended our walk the former site of the Delta Tau Chi fraternity house, the Animal House. The dilapidated structure has since been demolished and replaced with an office building. Only a small plaque remains about its history from the 1800s and uses in the movie. Thank you to everyone in the group for sharing their stories about the movie’s production.
Leader: Mark Hougardy | Organization: Obsidians | Dates: December, 2017 | Participants: 19 | Type: Urban Walking Tour
Over the past months in Eugene, Oregon, a number of building-sized murals have started appearing – some almost overnight. I needed to check out this gigantic expression of creativity, so I offered an invitation for an informal walk. Surprisingly, nineteen people joined me! The murals are part of the 20×21 project, an initiative to create 20 or more world-class outdoor murals in Eugene between now and the premier track and field 2021 IAAF World Championships. As a runner myself, I am really excited about this event. After the walk, some of us enjoyed a tasty lunch of pizza and salad (the vegan pizza there rocks; an image is included below). Here are a few photos: