Group Leader: Mark Hougardy | Organization: Eugene-based hiking club | Date: March 2022 | Walking Distance: 2 miles | Participants: 10
The weather was a bit wet and windy, but it did not lessen our enjoyment of the University of Oregon’s iconography. Our walk focused on the historic head sculptures at the Knight Library representing historic figures from the disciplines taught in academia, the science gargoyles of the Lokey Science Complex, and the printer’s marks (colophons) at Allen Hall. Shown is the humorous Einstein gargoyle.
Group Leader: Mark Hougardy | Organization: Eugene-based hiking club | Date: March 2022 | Walking Distance: 3 miles | Participants: 10
Downtown Eugene has some colorful building-sized murals along with multiple micro-art pieces. It’s been about 9-months since a previous walk downtown, it was good to see several old favorites, and a few new pieces too.
Shown are two recent additions: “We Rise” by Rachel Wolfe Goldsmith & a colorful Tyrannosaurus mural by Bayne.
Group Leader: Mark Hougardy | Organization: Eugene-based hiking club | Date: February 2022 | Walking Distance: 6.5 miles | Participants: 10
Our walk through the Masonic cemetery and across the UO campus recognized the 200th birthday of Thomas Condon, a fossil-hunting minister who was Oregon’s first state geologist, the University of Oregon’s first science professor, and the first to recognize the paleontological importance of the John Day region: an area with a fossil record that spans over 40 million years.
Group Leader: Mark Hougardy | Organization: Eugene-based hiking club | Date: February 2022 | Walking Distance: 5 miles | Participants: 11
Scattered throughout the Whilamut Natural Area in Eugene, Oregon (and nearby Springfield) are 15 boulders etched with words from the Kalapuya language. These are the Kalapuya Talking Stones, and they help educate and remind visitors that the Kalapuya people, the original inhabitants of the area, are still here. The writing on the stones reflects natural items in the traditional landscape. We enjoyed visiting all 15 stones on our walk.
On Saturday, February 26th, attend the Kalapuya Storytelling & Drumming event (Downtown & Online) at the Eugene Public Library.
Group Leader: Mark Hougardy | Organization: Eugene-based hiking club | Date: February 2022 | Walking Distance: 6 miles | Participants: 10
Steve Prefontaine “Pre” is one of Oregon’s greatest sports legends. He is a former Duck (University of Oregon) athlete who helped to fuel the American running craze in the mid-1970s, earned a fourth-place Olympic finish in 1972 (5K), and numerous American records including seven NCAA titles. He is the inspiration for many runners in the decades since. Tragically, he was killed in a car crash at the age of 24 near the UO. On this walk, we learn more about “Pre” through some of the places he visited, urban trials he likely ran on during trainings at the UO, his memorial, and ending by visiting the world-class Hayward Field. Please share any stories or knowledge you have of this running legend while on our walk. The image is from Hayward Hall at Hayward Field, University of Oregon.
Trip Report -Volunteer Leader: Mark Hougardy; Group: Eugene-based Hiking Club; Dates: April 2019; Participants: 16; Type: Urban & Trail Walking
Imagine attending a grand celebration… Every year, 100 people gather to laugh, tell stories, eat good food, and celebrate. Near the conclusion of the festival, everyone erupts into a joyous song, this music is extra special because for it to be harmonious each person is responsible for contributing just one note at the right time. The song rises and flows with many voices as old and young share. The following year there is another celebration but now a people few are missing. The next year, there are others who don’t attend and the melody starts to fray. For decades this unraveling of the song continues as fewer people are around to sing. Afer one hundred years only two people remain. They sing with passion, but how do they celebrate the larger song with so many notes missing? …How would you?
In the early 1800s, the Kalapuya people numbered around 15,000 and were the largest Native American group in what is now known as the Willamette Valley of western Oregon. Diseases introduced to the area decimated the population and by 1850 about 1,000 people remained. In 1900, the Kalapuya numbered about 300 (2% of the original population) and by the 1950s the last generation of speakers had passed. A 1977 University of Oregon anthropological paper declared, “the Kalapuya population is now presumed extinct.”
This was the setting for Esther Stutzman, a woman of Kalapuya heritage who wanted to revive the language. Over the years she made incremental steps to build awareness about the Kalapuya and awaken the language, but even into the early 1990’s, she was told by academics to not even bother as the language was dead. One reason for this difficulty was the geographic connection to Kalapuya place names no longer existed; pioneers had given all the landmarks names. Esther eventually partnered with the Citizen Planning Committee of East Alton Baker Park. Together, they convinced Willamalane Parks and Recreation and the City of Eugene to re-associate place names with Kalapuya words and phrases. The 237-acre park was re-named the Whilamut Natural Area of Alton Baker Park, and a year later, they placed cultural art installations known as the Kalapuya Talking Stones.
The Talking Stones are etched boulders that carry a Kalapuya word from one of the several dialects that describe the location where the stones reside. Today, fifteen stones quietly speak with those who will listen from along riverside trails in the Whilamut Natural Area in Eugene and the Eastgate Woodlands of Springfield, Oregon.
The stones are etched with a simple font that approximates being written by a human finger as though an elder has just shared an idea by drawing a concept in the earth.
Placing the stones required years of work, public education, and patience from Esther and often-unsung heroes on the Citizen Planning Committee (CPC), including Charlotte Behm, Vicky Mello, David Sonnichsen, and others. The group has spent more than twenty years (as volunteers) diligently working to place and maintain the sacred Talking Stones and to educate the public about their important role in our community. The Talking Stones is a watershed project on blending native place names within metropolitan areas for the education about the people who once lived -and continue to live- in the area.
To better understand the Talking Stones’ stories Charlotte Behm joined us on our 2.5-hour walk. She shared her experiences and history about the stones and some of the challenges that remain. We were happy to listen and better understand the geographic connection to Kalapuya place names. Thank you, Esther and Charlotte, and the many others for helping to share a larger story with your voices.
An additional thank you to Charlotte Behm for her help with this article.
Dan Witz is a master of trompe l’oeil (‘trick of the eye’), the visual style of painting that looks three dimensional.
In the summer of 2017, he visited Eugene, Oregon, and placed 11 (according to the city) of his works around town. While Eugene celebrates many building-sized murals, Dan’s artwork is on a smaller scale. Locating them requires some leg-work as they are not published on a map. Also, you might have to revisit places that you at first would overlook. Most of his works are downtown between 7th & 11th Avenues and Olive & Willamette Streets – I listed some hints below – their charm is in discovering them. Several pieces are outside the downtown grid and for these, I’ve provided more specific information on where to find them. Several were removed (stolen), these are mentioned as well.
While researching Dan’s work I learned that he called such works “WTF” images. The idea is that a casual bystander on the street or someone passing in their car might briefly spy one his works, and ask the question, “What the f$@k was that?”
His artwork is creative, surprising, and sometimes disturbing. You will be asking questions about his work long after you spy them.
#9 REMOVED: This was located near 6th & Pearl along the stairwell of the Lane County Parking structure.
#10 REMOVED: This very small piece was located on the corner of Oak & Broadway. Look for the crossing light box in front of D.A. Davidson & Company. You will see an outline of where the piece had been affixed to the box. It is just below his tag: a gray smudge (a tell-tale sign, but it is incongruous with the clean surroundings and one’s eye will at first overlook it).
Blek le Rat is a street artist whose work appears in many cities, including Eugene, Oregon. Finding his work can be part of a great day outing.
In 2017 Blek le Rat visited Eugene, Oregon, as part of the 20×21 Mural project. He placed 10 works around town. Most are located in a grid in the downtown area between 7th & 11th Avenues and Oak and Olive Streets. Several images are outside this grid area and those locations are mentioned in the captions. One piece was painted over in the summer of 2018, an image of it is included below.
Blek le Rat got his start as a graffiti artist in the 1970s in Paris. Eventually, he used stencils to differentiate his street writing from others. Today, he is considered the godfather of stencil street art and is credited with influencing many others, including Banksy. Accompanying his work is often the image of a black rat. Blek once mentioned (paraphrasing) that rats are the only wild creatures in an urban setting, their numbers are vast compared to the human population, and they also carry subversive plague like how graffiti affects a city.
Volunteer Leader: Mark Hougardy | Organization: Eugene-based Hiking Club | Dates: March 2018 | Participants: 14 | Type: Urban Walking Tour
It’s difficult to imagine today, but between 1907 and 1927 streetcars (commonly referred to as trolleys) ran along 18-miles of electrified tracks in Eugene, Oregon. Their comforting clickety-clack as the wheels passed over connections in the tracks were heard on four routes in this city of 11,500 people. Only the finest cars were used and each was superbly-crafted with heaters and rattan seats. At 45-feet in length, they could carry up to 100 passengers. The cost per trip was 5 cents for a child and 10 cents for an adult. Our walk will help re-discover this curious icon of the early 1900s using old photos and traversing the Fairmount trolley’s 5.5-mile route. We walked the Fairmount’s route in its direction of travel from the train station, through downtown, across the University of Oregon’s picturesque campus, passing historic residential neighborhoods, crossing over some of the last remaining visible tracks, and back. Although many of the trolley’s tracks are not visible today, look carefully, many miles of track from this time are hidden just under the pavement.
Volunteer Leader: Mark Hougardy | Organization: Eugene-based Hiking Club | Dates: December 2017 | Participants: 19 | Type: Urban Walking Tour
Over the past months in Eugene, Oregon, a number of building-sized murals have started appearingÂ – some almost overnight. I needed to check out this gigantic expression of creativity, so I offered an invitation for an informal walk. Surprisingly, nineteen people joined me! The murals are part of the 20×21 project, an initiative to create 20 or more world-class outdoor murals in Eugene between now and the premier track and field 2021 IAAF World Championships. As a runner myself, I am really excited about this event. After the walk, some of us enjoyed a tasty lunch of pizza and salad (the vegan pizza there rocks; an image is included below). Here are a few photos:
The visitor center at the San Francisco Maritime National Historical Park offers visitors a glimpse into a salty past. Most visitors to San Franciscoâ€™s northern shore only see a tsunami of stores that sell trinkets and bobbles; however, the curious will find â€˜ The Waterfrontâ€™ exhibit to offer a rich story.
The Waterfront is not just an exhibit; it is an experience of more than 150 years in the making. You can discover a time before European settlement, learn about how the Gold Rush shaped San Francisco, hear voices of sailors in a Barbary Coast saloon, and even see lumber being transported over your head as a ship delivers its cargo. The exhibits also include fishing boats, actual equipment and several hundred artifacts woven throughout the walk. A very realistic looking street fish market impressed my young daughter.
Afterward, make a short walk across the street to explore the historic sailing ships of the Hyde Street Pier. Visiting the ships will cost you a little, but it is far more valuable than what is sold in most of the surrounding tourist stores. The queen of all the historic ships on display is the Balclutha, you can get a better look with this video-
If you want to overnight in a restored Victorian mansion dating to 1885, the Sacramento Hostel is the place. The hostel has worked hard to give visitors a comfortable experience while maintaining the elegance and beauty of this historic building.
The family room we stayed in was very spacious. The kitchen was well stocked with cooking utensils and the facilities were well maintained. My daughter enjoyed exploring the stairs and quickly discovered a foosball table and travel library in the basement. The small breakfast that was offered in the morning was a good way to start the morning. The staff members are very helpful in recommending local places to visit and an activity board listing local attractions and schedules is displayed in the main hallway.
The building itself has a long history and was once nearly destroyed to make room for a modern skyscraper. Fortunately, the building was preserved, actually moved several times over its history, to become a unique experience for todayâ€™s travelers. Look for a pamphlet on the buildingâ€™s full story that is located in one of the Victorian style living parlors.
Parking is available on the street, or in a gated area for a small fee. The hostel is located in the heart of downtown and is a good location for exploring Sutterâ€™s Fort and the Railroad Museum.